Case study

The Burrow, Bengaluru.

A room that chose to improve their sound.

The Burrow after treatment, the room seen wide.

The room

The Burrow is a nightclub in Bengaluru. Like most spaces, its surfaces are hard: tile, plaster, glass and exposed timber, all under a low metal ceiling.

Three problems were audible before anything was measured.

Low-end buildup

Bass and kick were unclear rather than tight.

Harsh reflections

Sound bounced off bare surfaces and came back sounding uncomfortable.

Unclear audio

Music and speech smeared together and lost detail.

Our approach

One panel type, working the full range.

We placed 77 TRU Sink broadband absorbers across the room, sized deep enough to reach into the low end.

Treatment zones

Walls and wall corner junctions Ceiling clouds
The Burrow after treatment, the room seen wide from floor level.
The Burrow, head on, panels down both walls and across the ceiling.
The treated ceiling at The Burrow, with the bar behind.
Looking straight up into the ceiling grid at The Burrow.
The treated ceiling at The Burrow, bar behind.
Measured

Reverberation time.

How long sound stayed in the room, by frequency. Lower is faster, and the reduction holds right across the band.

Reverberation time before treatment. Decay peaks near 1.6 seconds between 200 and 315 Hz.
Before
Reverberation time after treatment. The peak is gone and the curve sits near 0.5 seconds across the range.
After

Before, decay peaked at about 1.6 s between 200 and 315 Hz, right under the body of a kick drum and the fundamental of most speech.

After, that peak is gone and the whole curve sits near 0.5 s. The single higher point at 100 Hz is the limit of the depth the room could give.

BandBeforeAfterReduction
80 to 160 Hz1.15 s0.63 s45%
200 to 315 Hz1.60 s0.60 s63%
400 to 800 Hz1.08 s0.50 s54%
1 to 2 kHz1.00 s0.47 s53%
80 Hz to 10 kHz1.15 s0.52 s55%

Reported as T30, band averages. Measured in the room before and after treatment.

Measured

Decay across the spectrum.

How fast each frequency cleared the room. Shorter tails are better.

Waterfall plot before treatment. Low and low-mid energy between 100 and 500 Hz tails back through the full window.
Before
Waterfall plot after treatment. The same region clears far sooner and the ridges flatten.
After

Before, low and low-mid energy between 100 and 500 Hz tails back through the full window.

After, the same region clears far sooner and the ridges flatten across the full range.

Measured

Clarity.

How much of what you hear arrives first, before the room adds its own reverberation. Higher is clearer.

Clarity before treatment. C50 and C80 sit low and vary widely across the range.
Before
Clarity after treatment. Both curves climb by about 10 dB and flatten out across the range.
After

C50 is weighted for speech, C80 for music. Both climb by about 10 dB and, as important, flatten out. Even clarity across the range is what stops a room being tiring.

MeasureBeforeAfterChange
C50, speech+4 to +9 dB+16 to +19 dB+10 dB
C80, music+2 to +7 dB+12 to +16 dB+9 dB
Clarity78%96%+18 pts

Get in touch.

Tell us what the purpose of the space is and what is not working about it.We will give you an honest read on what the room is doing and what it would take to change it.