Every product is custom-made. Fabric and timber finishes are chosen per project. The acoustic performance does not change.
Sound enters the panel, and doesn't come back.
The depth of the panel determines how low it absorbs. TRU Sink is built to extract the maximum absorption the physics of its depth will allow, from bass frequencies upwards — down to 40Hz.
Controls reflections. Absorbs at low frequencies, scatters at mid-high.
All the Sink features, plus a timber-slat diffuser mounted to the absorber face. Scatters mid-high reflections, adding life and audible space to the room.
One panel doing two acoustic jobs.
Dimensions, depth configuration, fabric, and timber finish are specified to your brief and built from there. Treatment should be indistinguishable from considered interior design.
Most rooms need both. Sink handles the low end and reverb tails. Scatter handles the high-mid reflections that cause harshness and smearing. Together, they give the room a controlled character — not the flat, lifeless quality of an over-treated space, but an environment that supports whatever happens inside it.
The ratio of Sink to Scatter, and where each goes, is determined by the space. We assess and specify this as part of every Saiko Lite and Saiko Suite engagement.
Treatment should feel invisible. Clients should notice the room feels right, not that it has been treated. This is why finish matters as much as function, and why every panel is designed to sit within a space rather than decorate it.
Both products are available across all use cases — studios, offices, restaurants, home cinemas, rehearsal rooms. The acoustic behaviour is consistent. The configuration and finish adapt to the brief.
Tell us about the space. We come back with an initial read on what it needs before any commitment is made.